Satyaprem Ki Katha
Introduction
Onto the next release of the weekend and I have finished watching the new Hindi film Satyaprem Ki Katha starring Kartik Aaryan and Kiara Advani. This weekend has been a quiet one in terms of its new releases but if there was this one film that I really was looking forward to watching, then that was Satyaprem Ki Katha.
I had watched the teaser of Satyaprem Ki Katha and I must admit that I had found it ordinary. The name itself felt like a small town Rom-Com which I feel have been done to death. This came on the back of the Hindi film Zara Hatke Zara Bachke which I felt had its moments but wasn’t quite there in terms of its writing. And I feared a similar fate with Satyaprem Ki Katha. Then came its trailer and while I wasn’t quite taken aback, there was something in the trailer that drew me towards it. It almost felt like a heartfelt love story as opposed to a typical Rom-Com and suddenly the dynamics of the film had just tilted. And something in me continued to draw me towards the film in the lead up to its release theatrically. With much hope I ventured into Satyaprem Ki Katha, is it worth your time, lets find out.
Story & Screenplay
I shall be keeping the plot of Satyaprem Ki Katha underwraps to avoid any spoilers. But the story here that begins in a Rom-Com space soon transforms into such a relevant topic that needs to be discussed and talked more. And credit to the marketing team of the film for not revealing a single detail of the same in the trailer which gave no hint on the pertinent issue discussed in the film. The screenplay standing at almost 150 minutes might seem long for a romantic drama but the writers create several moments that does make for an engaging watch that shall leave you with a pondering feeling that will linger on long after the film has ended.
The drama does open on a slightly frivolous note with the introduction of the protagonist who is brought up in a Gujju household(the place giving a nice little Gujju flavour to the drama) and is still a bachelor. The freshness lies in the family which is largely matriarchal(how often have I used this word now in my reviews? Not very often) and that did add a unique dimension to the story. Soon you are introduced to the other protagonist in the drama who is essentially the love interest of our hero to begin with. This one-sided love does lead to their marriage but then where is the conflict you ask? The conflict is layered and kept under wraps in quite an interesting manner!
The proceedings are engaging and engrossing with the writing really taking off after the initial few minutes. I did like how the relevant conflict in the drama was kept under wraps until its third act, with timely clues and hints being provided along the way. While you do get an inkling of the issue, yet when the cards are on the table, you shall be taken aback and almost left fuming with the turn of events. And this also had a lot to do with the character development of the two protagonists and to an extent, the people around them. There is time invested in nurturing their relationship onscreen that does lead to you being invested in their journeys.
There are some nicely crafted moments between the couple that felt so organic, so much so that I started rooting for the couple. Yet, the lurking conflict did make me curious on what was in store and I was quite startled by the revelation. I do know a couple of my friends subjected to this and it had then triggered me to no bounds. I really wish young parents teach their young boys on what consent means and how they should conduct themselves with girls. It is absolutely necessary because the stats at the moment are through the roof. Yet, the writers do well in giving a fair perspective to the viewers with respect to the male gender by not painting all male characters with the same coat. This involves an endearing protagonist who does show the will to fight for his better half against all odds.
I did like how the conflict was handled with sensitivity without adding any cliches to it. The extra runtime did dedicate its final 20 odd minutes by taking the drama to its logical conclusion which did feel complete and satisfactory. And the drama could so easily have been melodramatic, yet the writers keep the emotions in check at every given point of time. This sums up the screenplay which is very well written and makes a case for a very relevant topic that needs to be discussed.
Dialogues, Music & Direction
The dialogues range from being funny to being poignant and dramatic yet the emotions in play hit home wonderfully well. The music is peppy and I quite enjoyed the songs. Yet, the songs at times did stall the flow of the drama. And the Pasoori remake stood out like a sore thumb! The reason being that tonally the song felt out of place(not to mention way off from the original as well) particularly when the prior scene had a different mood to the drama. The BGM does enhance the drama at various places, being melodious and understated yet purposeful. The cinematography is excellent and the wide shots were epitome of the massive scale on which the film is mounted. The editing is quite good and the scene transitions are pretty smooth. Director Sameer Vidwans does a terrific job by handling a very sensitive subject in a delicate manner. He is also able to establish a valid message at the end, even while creating some beautiful moments throughout the film. The direction is excellent here.
Performances
The performances are quite good here by the ensemble cast. Rajpal Yadav as Dhoodhiya contributes to some comedy scenes brilliantly with his impeccable comic timing. Palash Tiwari as Dhiraj, Maira Doshi as Kinjal and Arjun Aneja as Tapan have their moments to shine. Anuradha Patel as Rasna is quite good despite a limited screen time. Siddharth Randeria as Harikishen is spectacular and I really enjoyed his ‘not out and out’ comedy avatar here. Shikha Talsania as Sejal is assertive and fabulous in her role. Supriya Pathak as Diwali is excellent particularly in the final act when her character changes shades. Gajraj Rao as Narayan is brilliant in every sense of the word in a character which is endearing yet outdated with his thinking.
Kartik Aaryan as Satya is such an affable character who is so understanding and caring that all men can learn something from him. And this was another brilliant performance by Kartik who has definitely worked on his acting chops and has now taken it to the next level. Girls, if you have a guy like Sattu, keep him….don’t let him go!
Kiara Advani is so heartfelt and beautiful with her portrayal of Katha that you always empathize with her. I really wanted to embrace her and tell her that everything shall be fine, and that was a victory of the performer. This is perhaps the best performance of Kiara Advani in a promising career wherein she is brilliant in every sense of the word. Her eyes speak a thousand words in this acting masterclass by a very talented performer.
Conclusion
Satyaprem Ki Katha is a heartfelt romantic drama with excellent performances and a twist that triggers such a pertinent discussion, making it a wonderful watch. Available in a theatre near you!