RRR : Behind And Beyond unfolds like a series of montages, highlighting the insights and the makinf behind a handful of sequences from the global phenomena RRR. And just studying the intricacies of the craft coupled with its execution made me realise the histrionics of filmmaking that unfolded on the sets of RRR. In SS Rajamouli’s documentary on Netflix, one thing that was repeatedly highlighted was his quest for detailing and perfection – both these virtues that were beautifully reiterated and validated here. Be it the introductory sequences of his two protagonists Ram and Bheem – Ram, a cop is shown to be deluged by a sea of people only for him to crack his whip and begin dominating them. The surge of claustrophobia was so evident in the turn of events during its shoot which did not quite rely on VFX but actual people that made this sequence grounded and overwhelming in the same breath. In a sharp contrast, the sequence involving Bheema slaying a Tiger for a later point in the film was a VFX heavy sequence, something that made for an enlighting watch when viewed through a BTS lens. The use of a ‘green-screen’ prop was a masterclass in itself, that gave me a searing insight on what transpired behind the scenes.

The global phenomena that was Naatu Naatu was another interesting sequence to study. As admitted by both its lead actors Ram Charan and Jr. NTR, the steps in itself weren’t difficult but the difficulty level rose in synchronizing the steps to a point that there was no scope for any error. But another interesting point for me was on the ability of the filmmaker for creating a story within a story that didn’t break the rhythm of the film by isolating its song, but instead enhanced it. Likewise, another song that included the character of Ram whipping Bheem only for the latter to sing away in a revolutionary fashion was another example of creating a story within the existing plot to evoke a sense of emotion.

I can’t let this review pass without talking about the interval block and the sheer insanity that was on display. While that sequence was awe-inspiring, the BTS broadened my horizon in understanding the nuances that went into the sequence. Yes, it was a live-animation sequence that did not feature real animals. This basically meant that the actors had to contend with the assumption of the speed of the animals, amidst the VFX that was in store. This was particularly a complicated shot given that it had the presence of animation and VFX along with live-action. And it was such a masterclass to witness different departments coming together in this sheer act of brilliance. Likewise, the sequences at the end of the character transformations of its two characters symbolizing one soul made for an endearing watch too.