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Longlegs

Farhad Dalal
By-
Farhad Dalal
Rating
4 Star popcorn reviewss

Introduction

One of the most dangerous places in the world is a person’s mind, an area that can be manipulated in making it feel a certain way in the most terrifying manner possible. And quite honestly, this is one aspect that the filmmakers tap into, in a dual manner while making a serial killer film with bouts of horror. Dual because the drama plays on the minds of the viewers while being reflective of the mind of the serial killer who would stop at nothing. And, that is exactly what the new English film Longlegs is about. If done well, the serial killer genre has to be one of the more exciting ones, simply because of the immersive experience that the viewers are subjected to. For instance, the English film Seven followed the traces of a serial killer who killed people based on seven sins that are committed in life. Elsewhere, Zodiac and Memories Murder changed the POV for the viewers by presenting a narrative alongside the police personnel wherein the viewers were subjected to only as much information about the killers as the characters onscreen. Both were varied narratives but both managed to score with their immersive treatment that ultimately lead the films to be honoured with the ‘cult’ title. Longlegs though, may not fall necessarily in the space but it definitely is a welcome addition to the serial killer genre by incorporating bouts of horror to the proceedings. So then, does Longlegs manage to impress, let’s find out.

Story & Screenplay

Longlegs follows the story of an FBI agent who uncovers a series of occult clues while being in pursuit of a serial killer in cases spanning over decades. Will she get to the bottom of things? The story here uses the atmospherics of the drama very well to paint a picture of horror that is terrifying in the minds of the viewers. Make no mistake, this isn’t a type of horror that induces jump scares but instead creates a world that would always make you feel the presence of a danger lurking in the corner. It is immersive and requires focus given its leisurely pace, and it accounts for a solid drama at the end of the day. At times, the writers are guilty of going slightky off-track with the logic of such films, but I was amazed with the way the events were tied leading to a logical conclusion in a terrifying screenplay standing at a shade above 90 minutes. Needless to say that the screenplay is taut and compelling in many ways.

Combining a serial killer genre with horror can be a tricky proposition given how makers could be influenced into swaying either sides of the genre. But the writing here is extremely focused with not many subplots doing the rounds. As a result, you are always present with the plight of the characters on the screen. The drama opens while showcasing a little girl who happens to follow a voice in the snow-clad valley wherein she is acquainted with a man whose face isn’t shown initially. Almost immediately, the man bends and you are privy to a pale looking shadow that you get only a quick glimpse of, bjt enough to send a shiver down your spine while diverting all your focus on the unfolding plot. The drama jumps to another timeline wherein you are introduced to the protagonist, an FBI agent who has a valued gift of being a clairvoyant, something that prompts the department to give her a decade spanning case to investigate. With one thing leading to another, the plot thickens and how!

The proceedings are engaging even while unfolding in a leisurely manner. While the viewers always have a picture of the serial killer imprinted in their minds, there is always a sense of curiosity on the supposed motive and the path of the destination of the investigation. And while the characters are introduced, there is always a danger lurking in the background, such is the intensity of the drama. The writing scores with the bouts of occultism that is introduced in the narrative, that forms a major modus operandi of the serial killer. The events are logical and coherent through and through while the investigation is on.

There are subtle bouts of horror interspersed in the narrative particularly with the events leading up to the arrest of the serial killer. And that is followed by a resounding twist in what was one of my favourite scenes at the police station that sent a chill down my spine by the end of it. There is a momentary shock following that too, even as the mystery unravels with the pieces of the jigsaw being pieced together. Yes, by the third act the cat is out of the bag and the events are predictable but that is where the atmospherics in the drama take over resulting in a satisfying conclusion wherein the vicious satanic circle would continue despite some major eliminations at the end. Overall, the writing is top notch and makes for a pretty solid watch.

Dialogues, Music & Direction

The dialogues are conversational but wonderfully blend with the mood of the drama. The BGM is subtly haunting and creates an ambience of intrigue with the possibility of danger lurking in the corner. The cinematography is top notch as well while comprising of frames that are terrifying and enough to send a chill down your spine. The editing is crisp, almost giving just enough glimpse of a lurking terror to the viewers before cutting the proceedings to a different event. Yet, the after-effects of the previous scene continue to haunt the viewers while imprinting a terrifying picture in the minds of the viewers. Director Osgood Perkins does a smashing job in creating an ambience of fear while also backing it up with the right logical elements in the drama to paint a terrifying picture of the serial killer. The idea of combining two genres was tricky but he does extremely well in providing a balanced narrative, such that neither of the two genres overpower each other. The direction was pretty good here.

Performances

The performances are pretty good here. Michelle Choi-Lee as Agent Browning has her moments to shine. Blair Underwood as Agent Carter is well restrained and does a good job. Nicholas Cage as Longlegs may not have a lot of screentime but he gets into the skin of his character effortlessly and delivers a haunting and terrifying performance. Alicia Witt as Ruth is outstanding her in a rather unassuming character. Maika Monroe as Agent Lee is pretty good as well with measured bouts of intensity that she brings to the character. She was incredibly good here.

Conclusion

Longlegs is a brilliantly constructed atmospheric occult horror packaged as a slow-burn serial killer drama that accounts for a terrifying watch. Available in a theatre near you and Highly Recommended.

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