Jhamkudi
Introduction
One of the modern day genre inventions has to be that of a horror-comedy. And this can be attributed to the fact that horror as a genre in its purest form did undergo a transformation, and the moment the filmmakers could gauge the inherent silliness creeping in the genre, did they take a creative decision to tap into it. And originated the horror-comedy genre! Some of the prominent titles from the Hindi film industry is Bhool Bhulaiya and Stree along with a handful of others but the latter has formed a cult status, and almost a template of sorts for many filmmakers across the industries. When I did get to know about this new Gujarati film Jhamkudi(and I must say, the film wasn’t quite on my radar), the premise for me was exciting enough to give it a go. It seemed to be Stree with a whole lot of flavours infused from the state of Gujarat that was exciting enough to give it a go. More so, I was also happy of the Gujarati Film Industry branching into other genres other than the familar formulaic ones that they are generally known for. So with much anticipation, I decided to venture into the Gujarati film Jhamkudi, does it manage to impress, let’s find out.
Story & Screenplay
Jhamkudi follows the story of a small village in Gujarat forbidden from celebrating Navaratri owing to the curse of a witch whose folklore continues to live on. This, until a series of incidents accounts for rules to be broken while haunting begins again. Would the locals get to the bottom of the mystery? The story here might seem eerily similar to the Hindi film Stree but at the same time this template warrants for an exciting watch given that the writers get the ambience of the area just right. The elements of horror and comedy are meticulously sprinkled and balanced really well in a screenplay standing at just over 150 minutes, that makes for a rather entertaining watch. I found myself uncannily engaged in the narrative that did sport the right amount of mystery while having a good sense of world building and decent characterization.
The writers were on the money right from its opening sequence that features a character listening to Garba on her phone even as the viewers are told that the village immerses itself in darkness during the festival of Navaratri. This, until the character is inexplicably dragged from her bed, only to disappear in thin air. This opening sequence was backed by another startling sequence that set the ball rolling for the legend of Jhamkudi to take over the minds of the viewers. The writers do well in creating a world that adds to the flesh and bones of the legend of Jhamkudi even as people from the village begin to disappear attributing to her ‘curse’. This, until you are introduced to the protagonist amongst a host of other characters who get together to decipher the mystery.
The proceedings are interesting and engaging while balancing the comedy and horror elements in the drama rather well. The comedy in spirit(pun not intended) is the regular situational comedy backed by sharp one-liners that does manage to make you chuckle and at times laugh. This, while the horror is filled with a few stray jumpscares that are quite well done. The victory for the writers lays in the fact that the tension in the drama is intact right throughout even when it chooses to venture into the route of a family drama that briefly pauses the momentum. But the self awareness of the writing is pretty much on point that frequently shifts the focus back on the village where the curse of Jhamkudi seems to be pretty much intact.
The fun begins in the second hour wherein the group assembles to nab the ‘real’ Jhamkudi. It is here that the script undergoes multiple twists and turns while raising the stakes of both the horror and comedy as a genre, both of which contribute to the engagement of the drama. I must say that the writing opts for a familiar route even as you find yourself immersing deep in the second hour but I was pleasantly surprised at the treatment provided, wherein the writers always had an additional trick up their sleeves right throughout. This is true halfway through the second hour, or the elaborate Garba sequence following it, or even the climax that was interesting but a little too straight forward and simplistic. The outro though throws in another twist and by then I knew that this might just be the start of a brand new, homegrown franchise coming from the incredible Gujarati Film Industry. Overall, the screenplay is well written and definitely makes for an enjoyable watch.
Dialogues, Music & Direction
The dialogues are witty and filled with one-liners that will make you chuckle and at times laugh in joy. The ‘Nabala Paul Adams’ line really had me cracking up. The music is pretty good and blends perfectly with the mood of the drama. The BGM is a little generic but used well to elevate the drama at various junctures. The cinematography is pretty impressive featuring frames that suddenly swing to tight closeup of characters in order to evoke a sense of fear. The ambience of horror creates through some visuals was pretty impressive. The editing is crisp for most parts of the runtime(although I did feel a little patchy in parts of the first hour) but it does really well in infusing a sense of horror with some incredible jumpcuts. Director Umang Vyas does a fabulous job here in constructing a drama that had an intriguing premise. While he does infuse the drama really well with flavours from Gujarat, he balances the horror and comedy elements to perfection. This was no mean feat given how the stakes are often tilted in favour of either comedy or a horror in a film.of this genre. The world building coupled with a satisfying final act ensured that the director had an excellent outing here.
Performances
The performances are pretty good by the ensemble cast. I don’t mean to target any one person in my review but Viraj Ghelani in his debut outing did not quite feel a part of this world. While he was pretty impressive in comedy scenes, something that was his comfort zone, he still has a long way to go in scenes involving an essence of drama. In comparison, Ojas Rawal as Ghel was excellent in comedy while also scoring really well in a few dramatic scenes. The difference was apparent but I won’t be too harsh on Viraj given that this was his debut outing. Jayesh More as Baba PHD has his moments to shine. Chetan Daiya as Inspector Omkar is pretty good as a cop who has spurts of retching when he was scared. Rajal Pujara as Kinjal has a good presence onscreen and she does an impressive job. Bhaumik Ahir as Ae and Sanjay Galsar as Chha ma Paanch are hilarious to the core and definitely manage to tickle your funny bone. Krunal Pandit as Mansukh and Sanjay Goradia as Babubhai are excellent and lend able support. Nisarg Trivedi and Bhamini Jani are impressive in their respective roles too. Manasi Parekh as Kumud is astonishingly good particularly in the second hour wherein her performance elevates the drama at regular intervals. She is unassuming with her character and makes for such an impressive outing overall!
Conclusion
Boasting of good performances, #Jhamkudi is an entertaining horror-comedy that gets the ambience of the drama just right. This may well be a landmark film for the Gujarati Film Industry which is finally branching out from its otherwise formulaic and familiar genres. Yes, it has traces of #Stree but it definitely makes for an engaging watch nevertheless. Available in a theatre near you