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Chengiz

Farhad Dalal
By-
Farhad Dalal
Rating
3.5 Star popcorn reviewss

Introduction

Onto the final release of the weekend and while I still may have a couple of leftovers, I finished watching the new Bengali film Chengiz in a theatre near me. The word ‘PAN India’ has been the talk of the town now. It was before the pandemic that we as viewers weren’t privy to films in the local language. And now there is a time when every other film is being dubbed in multiple languages including Hindi. While the Telugu, Tamil and Kannada industry have had multiple PAN India releases, some of the other industries are still finding their feet in this brand new model. If it was the Marathi film Har Har Mahadev which did mark the debut of Marathi films in the PAN India space, it is the Bengali film industry which is forraying in this space with Chengiz.

From the first look of the film, I couldn’t help but think that this might be another KGF. I did have similar apprehensions with the Telugu film Dasara which did seem like a cross breed of Pushpa and KGF. My only worry about the PAN India films is that they shouldn’t try and emulate the success of Pushpa and KGF. Because if that happens then there would only be clones generated which would be insipid. So with my share of skepticism, I did venture into Chengiz. Does it manage to impress, lets find out.

Story & Screenplay

Chengiz is essentially a gangster drama featuring a notorious criminal who did rule the city of Calcutta from the 1970s to the early 90s. The story is not quite novel, however I couldn’t help but think that this was mass done right. I have always maintained that constructing a mass masala entertainer can be a tricky proposition. The focus must always be on the world building and the storytelling as opposed to completely celebrating the stardom of an actor. And luckily, Chengiz does the former and really well! The screenplay standing at around 150 minutes does make for an entertaining and compelling gangster drama where the focus always was on the storytelling.

The drama does open with an ongoing football match. This for me was a fresh opening, I mean when was the last time that you did notice a football game as the opening sequence for a gangster drama? Also, with football being an integral culture of Calcutta(and West Bengal), it did add texture to the drama regarding the setting as well. Suddenly an explosion follows and you are introduced to the protagonist walking through the smoke in grand style. The turn of events trigger a series of flashbacks told by a now retired police officer to a journalist on the journey of the protagonist, from his childhood days to eventually turning into Chengiz. While the basic plot of the film might be a sort of a revenge drama to begin with, the events unfolding have the right kind of emotions attached to it. And that is what makes this mass masala entertainer hit home!

The proceedings are entertaining and engrossing despite the fact that the events are partly disjointed at several places. The events do work independently really well given the fact that they are layered. The character dynamics are really interesting here which is a core ingredient for a gangster drama. The drama is consistently on the move and it doesn’t quite get stuck at any point. The world building was fascinating and it did act as a foundation for the film. But there were several interesting situations that did fuel the narrative ahead. Ideally, I would still have liked a few more twists and turns in the story which is fairly predictable otherwise, it still does have a lot of meat. On a side note, the love story again doesn’t quite connect as in all mass masala entertainers.

One criticism that I had about the writing would be that there aren’t many high points in the drama that more or less does unfold at the sane wavelength. Had that happened, the drama would have been even more interesting. Having said that, the events leading up to the final act are excellent including a terrific 15 minute gun battle that was nail biting stuff. The end was a tad underwhelming given how some strings are left open for possibly a second part but overall I really did like the screenplay wherein there was a genuine effort of storytelling.

Dialogues, Music & Direction

The dialogues are massy but at the same time not overcooked. There is a sense of control to them and it does make for some interesting lines that shine throughout the narrative. The music is decent but the songs do deter the flow of the drama to an extent. The BGM is impressive and does heighten the drama. The cinematography is good, the editing too is good although a few more jump cuts than what I would have liked. Director Rajesh Ganguly does well in keeping the drama measured and check without allowing it to go overboard. Secondly, the story does have elements to be palatable as per the PAN India model. Whether or whether not it actually translates into numbers is a separate discussion but atleast there is a start. The direction is pretty good here.

Performances

The performances are quite good here. Suvosmita Mukherjee is first rate and has plenty of moments to shine. Ayesha Bhattacharya as Saloni is fiery and does a wonderful job. Shataf Figar as Omar Bhai has such a magnificent screen presence and as one of the antagonists he does a brilliant job. Ronit Roy as ACP Samir is sincere and earnest and the emotions and conflict that is prevalent in his character is wonderful to witness. Susmita Chatterjee as Nandita looks pretty and does a good job. Jeet as Chengiz has the right kind of mannerisms and does an excellent job here. The best part about his performance was that he doesn’t try too hard and the swagger is still very much inherited in his character which was great to witness.

Conclusion

Chengiz is a mass masala entertainer done right and makes for a compelling watch. Available in a theatre near you.

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