Companion
Introduction
The high concept character of Iris (Sophie Thatcher) in the film Companion can easily be Lily from It Ends With Us (2024) or Richa from Mrs (2025), quietly being a duty-bound individual until all hell breaks loose. In a different universe, it may also double up as Samantha from Her (2013), who is programmed to love and reciprocate her feelings to a recluse individual. In other words, Iris is a representational of all female characters (physical and virtual) that you may observe in the real world – being a faithful lover to her spouse while also being a victim of toxic masculinity. The setting of Companion is a regular one – a little retreat wherein Josh (Jack Quaid) takes his girlfriend Iris to acquaint with his friends at an isolated lakehouse. What could possibly go wrong? There are subtle hints about the personality of Iris who does develop cold-feet while having to deal with Kat (Megan Suri), Josh’s friend citing the reason that she may not like her. There are other folks at the retreat too – a gay couple Eli (Harvey Guillen) and Patrick (Lukas Gage) who can’t stop sharing their individual journeys of their meetup and love, and Sergey (Rupert Friend), a shady character who has his eyes on Iris. There is a fleeting energy in the group while briefly highlighting the toxicity of Josh even as he makes rampant love with Iris in bed but never really wishes to be drawn towards her feelings. There is an instant disconnect between Iris and Josh that marks the narrative, until an important event turns the drama on its head.
Story & Screenplay
The black comedy in Companion also doubles up as a raging social satire that highlights two facets – the degrees of dominance in a relationship that Iris was subjected to with Josh, and the implications of Artificial Intelligence if regulations aren’t met. The latter is true particularly because Iris is revealed to be a companion bot who happens to murder Sergey because she feels threatened by his advances. This was further accentuated given how Josh had modified her commands to lower her guard and diminish her safety mode, thereby ensuring mayhem of sorts for a few personal gains. So at its core, Companion is also a heist film gone wrong that turns the concept of a slasher film on its head. It is also doubles up as the origin story of Iris who was programmed for love but eventually transformed into a killing beast. This is also more of a commentary on the human race that was never programmed for hate but eventually fell into the trappings of the surroundings.
One of the most interesting aspects of the drama remains its characterization. For instance, Iris is never really shown to be a dominating bot often burdened and repressed under the shadow of the more dominating personality, Josh. This is even after Josh has manipulated her aggressive streak, wherein Iris only reacts when threatened herself. Iris here can be treated as an entity which can also think and reason for herself, just like Josh. So Iris and Josh thoroughly remain interchangeable personalities with a common recurring theme of toxic masculinity that laces their relationship. The idea being that individuals living in solitude and gravitating towards a bot to make love and obey commands, also invariably trigger a personality trait that is similar to their own. So when Iris goes on a killing spree, it is also a searing reflection of Josh and how he would react to a situation if he wasn’t bound by the law.
There is a contrasting theme of love that is reflective between Eli and Patrick, both of whom who are madly in love with each other. Patrick is a bot himself, a distant variant of Iris and interestingly, also being programmed to love and reciprocate. The duo has a seemingly stark differential relationship from Josh and Iris, the latter being laced with toxicity and dominance. Eli and Patrick both are equal players in their budding relationship, with Patrick also being an extension of Eli that reflects in his affable behavior early on. So when Eli is killed, Patrick grieves before being rebooted and turning into a demonic version of Josh. The basic thread of interchangeable personalities holds true throughout, even while ensuing in a cat and mouse chase that makes for a thrilling survival drama. And it is briefly here that you see Iris imbibing the threat around here that prompts here to break away from Josh’s traits while ramping up her Intelligence Quotient.
The little issue that I had with the drama has gor to be with respect to its final act, and the sequences leading up to it. Yes, the body count did rise alright with Iris having to face a formidable opponent in the form of Patrick and Josh, even as Patrick literally goes rogue! But, the manipulation of a character while trying to tap into the supposed past memories felt like an easy cop-out. It didn’t quite work on a concept level too given how the supposed character was rebooted, and so it didn’t quite add up on how the previous memories along with a source of realisation was acknowledged. The predictability coupled with the simplicity of the finale just lowers the impact of the drama slightly, although the filmmaking shines to ensure that the proceedings do not nose-dive. The ending also ensures that the universe of Iris may expand which could lead to innumerous possibilities. And this film acts as a solid conversation starter!
Dialogues, Music & Direction
The dialogues are conversational with an occasional shock value that often spices up the narrative. The BGM creates an ambience of intrigue while wonderfully setting the mood of the drama that is filled with thrills, and also accounting for the black comedy element in the drama. The cinematography comprises of frames that resemble a slasher film with its setting that also pays a homage of sorts to the slasher genre. The woods typify a perfect setting that takes the seed of the slasher genre and turns it on its head, thanks to the frames that also account for a transformation in colour grading. The initial portions are brighter while slowly allowing dark shades to enter which was in sync with the protagonist (and most characters around her). The editing was crisp and sharp that kept the length of the film in check. Director Drew Hancock manages to score with his world building and characterization while seamlessly maintaining a cohesive check with respect to the themes that he is tackling. Even when the writing marginally slips, his filmmaking comes to the fore particularly at the end, wherein he amps up the intrigue levels in the drama. The direction is excellent here and definitely manages to leave a mark.
Performances
The performances are wonderful by the members of the cast. Rupert Friend as Sergey is a shady character played to utmost perfection. He definitely leaves a mark here. Harvey Guillen as Eli is an affable character with shades of grey and naivety that laces the narrative. Megan Suri as Kat has her moments to shine and she remains nicely understated throughout. Lukas Gage as Patrick has a solid character arc to play with and he packs in a variety of emotions along the way. Jack Quaid as Josh is an infuriating character who epitomizes toxic masculinity and dominance, and he packs in all the required emotions to elevate a memorable act. Sophie Thatcher as Iris is excellent here while wonderfully playing a deceptive act. The survival mode of the drama is through her gaze and she continues to maintain a level of intrigue in the drama through her immaculate performance.
Conclusion
Companion is a high concept sci-fi black comedy satire on toxic masculinity, deranged relationships and Artificial Intelligence that makes for a pretty solid watch.