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School Of Lies(Season 1)

Farhad Dalal
By-
Farhad Dalal
Rating
4 Star popcorn reviewss

Introduction

Unlike the last weekend, the releases of this weekend have really been impressive with respect to the content. And with a hope to continue with the momentum, I finished watching the new Hindi series School Of Lies which is now streaming on Hotstar. One of the main reasons why I was looking forward to watching the show is because School Of Lies was directed by Avinash Arun, the man behind the brilliant series Paatal Lok(apart from being a brilliant DOP too). Now, I hadn’t watched the trailer of the series given that I usually like to be surprised while watching it, and so I knew absolutely nothing about School Of Lies. But the first look and posters did give me an impression of a brooding mystery which would unravel through the course of the show. But little did I know what was to follow and the kind of impact that the series would leave on me. So then does School Of Lies manage to impress, lets find out.

Story & Screenplay

School Of Lies follows the story of a disappearance of a 12 year old from a boarding school. What is the mystery behind it? The story is sensitive and delves into the psyche of our generation which is essentially scarred and f***** up. There was a time when terms like depression weren’t used at all as opposed to today when it is loosely used. The problem runs deep into the minds of our generations and that is so well represented through the story which is subtly shocking. The screenplay standing at 8 episodes of roughly 30 odd minutes each does make for a brisk watch but the drama ends up being quite dark that will leave you dazed.

The narrative style is what makes the drama very interesting here. The theme of setting this drama in the mountains in a boarding school automatically adds the much needed ambience to the drama. The setting is dark and broody and almost immediately communicates the mood of the drama. You are tactfully introduced to the characters before gradually shifting focus on the conflict, which was the disappearance of a 12 year old from the school. At this point, the events are scattered and the characters are still raw in terms of development. There are many sequences that will leave you scratching your head as to what exactly is going on. But patience is the key as all answers are answered as the drama progresses.

The proceedings are interesting wherein the viewers are lead in one direction before making a U-turn. For instance, the first five episodes comprise of a parallel track featuring the 12 year old roaming with an unknown kid  while the investigation is on as a part of the main plot. It is later on that you get to know that these tracks were spread across different timelines. There are many such instances too in which each subplot has an element of mystery tagged to it.

Yet, the drama doesn’t shy away from exploring the dark realities of our generation today where depression and loneliness are an integral parts of our lives. The writers are quick to highlight that it is often the past that has the ability to scar our present and that you may never fully recover from its trauma. As one character says, ‘The Best case is Compulsion. The Worst case is prison’, a line told to describe his school which is also a metaphor for his mind in many ways. The subtle concepts of child abuse is expertly tackled in the screenplay, as the shades of writing keep getting darker and murkier by the minute. It was no longer about the mystery as much as it was about studying the psyche of the characters who are nothing but broken souls.

The events leading up to the final act made for a shocking revelation that did have the potential to leave you numb. The atmospherics were intimidating and it did allow you ample of space to ponder on what had transpired much like one of the characters. It was one of the most dark ending that I have been privy to in recent times and shocking in equal measures. At this point, I would wish to express a note to the young parents – please take care of your children! Boarding schools are never a good option unless absolutely necessary. Keep an eye on your children, do not drag them into your mess, allow them time to blossom. Depression even amongst teenagers is an important topic of discussion, and it needs love and care to counter it while spending time with your children. Overall, the screenplay is excellent here and makes for a disturbing watch!

Dialogues, Music & Direction

The dialogues are conversational but there is a lot of restraint in the lines, almost never dramatic at any given point, that does create a stirring impact. The BGM is subtly haunting primarily because it relies on natural sounds of nature to create an ambience, and successfully so! The cinematography is beautiful, capturing some wonderful wide shots while balancing them with some moody and dark frames which are true to the theme of the show. The editing is crisp and sharp. Director Avinash Arun Dhaware is one of the few breed of filmmakers who need to be preserved for their craft. His sheer ability to add restraint to every frame and yet create a haunting impact is something to savour and it does make for such a compelling watch!

Performances

The performances are outstanding with a grain of restraint in each performance. Shakti Anand is wonderful to watch despite a limited screen time. Sonali Kulkarni as Pallavi is outstanding here particularly towards the end(can’t give too much away here). Hemant Kher as Rawat is well poised and stoic as the local cop in a job done so well. Nitin Goel as Bhola is intimidating in a job done phenomenally well. Mohan Kapur as Alden was an absolute pleasure to witness particularly with his diction(a thing that budding actors can study in his performance). Jitendra Joshi as Anirudh has a profound ability to showcase his vulnerability wonderfully well and he does a smashing job.

Adrija Sinha as Pritika, Parthiv Shetty and Divyansh Dwivedi are excellent in their respective roles. Geetika Vidya as Trisha is such a wonderful actor and she delivers a brilliant performance which was so dignified all throughout. Vir Pachisia as Shakti is first rate in a job done so well. Aryan Singh Ahlawat as TK is quite good here. Varin Roopani as Vikram is phenomenal and the mountains of pain that his character carries was beautifully represented through his character. Aamir Bashir is an incredibly good actor and I have often wondered on why don’t we see him often. But whatever be the case, he is just brilliant as Sam here, a role which was brutally complex and twisted and you needed a seasoned actor to nail it. Nimrat Kaur as Nandita is excellent in every frame. There is a sense of calmness to her character loaded with poise and restraint that eventually ends up in a turmoil. Now these are scattered emotions and she brought them together beautifully through her performance.

Conclusion

The first season of School Of Lies is an exceedingly dark drama laced with concepts of loneliness and depression that comes with my highest recommendation. Available on Hotstar and Highly Recommended!

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