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Salaar: Part 1 - Ceasefire

Farhad Dalal
By-
Farhad Dalal
Rating
3 Star popcorn reviewss

Introduction

Onto the next weekend biggie and I have finished watching the new Telugu film Salaar – Part 1 : Ceasefire starring Prabhas and Prithviraj, and directed by Prashanth Neel. And if you had any doubt around the magnanimity of the project then you just need to refer to a few of the previous works of the director. Prashanth Neel, the man behind KGF 1 and 2 had then announced his next big project with Prabhas in the lead, and many folks were excited about it. By then, KGF had become a huge monster, and everyone had witnessed the manner in which Yash was presented with a larger than life aura around him. And that for me was the biggest strength of Prashanth Neel as a director, to present his stars by playing to their strengths and their fan bases. So with Prabhas being at the helm of Salaar, many were touting this film to be his grand comeback. 

Prabhas after the Bahubali phase was a curious case of an individual attaining overnight stardom before succumbing to the pressure of maintaining his ‘PAN-India’ status while being hoodwinked about what brought him to the position in the first place. As a result, there were quite a few substandard projects that followed culminating into the disaster that Adipurush was. But with his next with Prashanth Neel, I had the confidence that he was in safe hands. After postponing their earlier planned date of September, the producers made a surprise announcement of releasing Salaar along side Dunki, thus marking yet another clash with King Khan after Zero(way back in 2018 when Hombale films released KGF alongside). With the vibe heating up, Dunki turned out to be quite a dud! Does Salaar – Part 1 : Ceasefire manage to impress, let’s find out.

Story & Screenplay

Unofficial based on the Kannada film Ugramm, Salaar Part 1 : Ceasefire follows the story of two best friends who find themselves pitted against each other as sworn enemies. Who will triumph eventually? The story is just part 1 of the saga and surprisingly, the concept here works tremendously with the world building. And quite honestly, that was the tough part to assemble, something that the drama scores with easily. Where the film falters though in its execution particularly in the action sequences that ought to have been a cake walk(more on that later). The screenplay standing at close to 3 hours does make for a compelling watch but there are instances when the length of the film gets to you. I feel atleast 30 minutes could have been chopped off from the overall runtime to make for a crisper and even tighter watch. 

The drama gets off to a flying start with the introduction of younger version of the protagonists wherein their strong bond of friendship is expertly established. From there on, it was like watching the film Ugramm all over again with the whole angle of a woman returning from the States being attacked, only to be sent to the character of Prabhas, who by the way gets a grand entry! There is considerable buildup to the drama wherein you don’t get to see a single action sequence for close to an hour into the narrative. Now because I had watched Ugramm, I wasn’t particularly impressed with the entire first half of the film that had nothing new to offer, even with the limited action sequences that didn’t quite impress me owing to some choppy editing! But the interval block(although extremely poorly edited) does leave a mark with its staging, thereby putting some vital context for things to follow in the second hour. 

The second hour is when the actual story kicks-off featuring a fantasy land of Khansaar that follows its own set of rules. The flashback here has a steady buildup but the amount of details provided to the viewers is excessive and comes literally out of nowhere, something that describes the politics of the land while highlighting the history of shifting character dynamics along the way. I just wished that the writers had taken a creative decision to start the film from the portions of the second half, and eliminating the entire ‘Ugramm’ buildup, something that would have helped the viewers to familiarize with the world, the characters and the equations a little better. Had the writers allowed the story to breath a bit, the results would have been even better. Nevertheless, the mood and tone of the drama from this point sets the ball rolling nicely(and remember this is a continued world building given that this is just Part 1). 

Through the second hour, you are acquainted with the bond of the two protagonists with a strong emotional undercurrent that runs through the narrative. There is even a little timeline thrown in like a countdown that adds to the mystery surrounding the drama. The buildup is steady but effective and it does make for a compelling watch. I also was appreciative of the call-back at the end that managed to tie the loose ends of the screenplay together. The action set pieces are better but still, the action per se did not work for me at all due to jump cuts after every half a second. A one-take or atleast a continued motion in the action set-pieces(remember Animal?) would have been a lot more effective. But the twists and turns at the end by giving away a little information to the viewer almost like a tease, did setup things rather well for the second hour. Overall, the screenplay is decent and packs a solid punch with its world building.

Dialogues, Music & Direction

The dialogues are massy and decently well penned to create a solid but adequate impact. The music and the BGM are wonderful and they go perfectly in sync with the drama. The emotional quotient that was touched upon through the music was quite heartening to witness. The cinematography coupled with the grim colour grading is quite good as well and but adds texture and layer to the drama. The technical aspect that sinks the film to several notches below its potential is the editing. It is one thing to stylize your narrative but to introduce excessive jump cuts particularly in action set pieces is suicide! The choppy editing just dilutes the impact of the drama to a new low! Even the costume department needed a little fine-tuning to allow the viewers to differentiate the characters from their clans(particularly as the excessive information about the world is quick and a little tricky to grasp). Director Prashanth Neel just knows how to present the ‘alpha males’ of his universe by sensing the pulse of the audience. He also is at his absolute best in the world building aspect of the drama while being slightly overindulging in the easier action set-pieces. The urge to introduce frequent jump cuts is something that he needs to curb.

Performances

The performances are pretty decent here. Jagapati Babu and Bobby Simha are impressive and make their presence felt. Shruti Hasan is decent but I wonder who approved her ‘fake’ accent in the film. Sriya Reddy as Radha is excellent and accounts for a commanding presence! Tinnu Anand and Easwari Rao are adequate. Prithviraj Sukumaran is such a great actor due to his ability to seamlessly adapt in different characters presented to him. Here as Vardha, he is brilliant with a solid screen presence while never going overboard with the emotions. Prabhas as Deva also fits the bill pretty well. This can be labelled as a mini comeback for him in a role that didn’t require him to emote much, instead relied on his physicality to carry the narrative ahead. And Prabhas needs to focus on such characters to create similar impacts as he did here.

Conclusion

Salaar comprises of a good concept translating into a solid world building but coupled with some very middling execution with respect to the choppy action set-pieces that dilutes the overall impact. But it still accounts for a fun one-time watch ideally meant for a community theatrical viewing. Available in a theatre near you. 

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