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Renfield

Farhad Dalal
By-
Farhad Dalal
Rating
2.5 Star popcorn reviewss

Introduction

It is still a Thursday and I decided to wipe out another film from my watchlist. With that I finished watching the new English film Renfield, a film which I had previously missed out on its theatrical release. I was really curious on what this film had to offer, given that it was a horror comedy revolving around Renfield who was a “familiar” to the Dracula. So clearly, this was a reboot featuring two iconic characters which did promise to be a fun ride in many ways. With much hope and expectations, I did venture into Renfield, does it manage to impress…lets find out.

Story & Screenplay

Renfield follows the story of Dracula’s lackey who is tired of his job of pleasing his master until he does fall in love with a fiesty cop. What happens next? The story here does tick all the right boxes as far as a horror comedy is concerned. And this was one reasons that had made me excited and curious for Renfield in the first place. But one look at the length of the film did make me worry and all my fears did come true in its screenplay that does flatter to deceive. Standing at just a shade under 90 minutes, the screenplay is fast moving alright but it turns out to be pretty rushed and filled with cardboard characters that do not quite leave the desired impact. And this was a shame because the potential was there to make something even more fascinating.

The drams does open with the introduction of the protagonist at the therapy center. A quick flashback does set the ball rolling wherein you are introduced to the Dracula and his actions that he is capable of. This was a good beginning for me, considering that there was a streak of dark humour prevalent in an otherwise gory sequence that definitely did its bit in raising the excitement with respect to the rest of the drama. But there was an immediate stutter post that, with the writing getting a little disjointed. While things do fall in place, I would have liked some sort of world building to allow the viewers time to invest in the proceedings and the characters. In fact, these rushed events did remind me of the Hindi film Kuttey that had so much potential, yet it couldn’t quite rise from its written material.

To be fair, the proceedings do have their moments and are extremely watchable. But I just couldn’t get myself emotionally invested in the drama. So while people are torn apart, I did remain unflinched and was almost just going through the motions. There should have been some levels of creating characters in a world which did have the potential to be fascinating. But the cardboard characters just failed to create any impact. The conflicts introduced were rushed through as well. The drama did come to a point where it was neither a horror nor a comedy, which did bring me to think what a tricky proposition it actually is to balance the genre.

The events leading up to the final act also did seem rushed. With barely any twists and turns and the drama following a “familiar” note, I did feel letdown quite a bit. Even the final act was alright thus summing up the screenplay which was half-baked despite a good premise and concept.

Dialogues, Music & Direction

The dialogues are quirky in parts but they continued to remain inconsistent right throughout its narrative. The BGM is good and it atleast tries to create an ambience of horror and comedy. The cinematography featuring multiple scenes of gore are well shot and even the lighting did contribute well to the drama. The editing was decent as well. Director Chris Mckay doesn’t quite nail the execution here. His direction is there, but not quite there.

Performances

The performances are quite good here although the characters are poorly written. Ben Schwartz as Teddy has his moments to shine. Awkwafina as Rebecca Quincy does a good job especially in combat sequences. Nicholas Cage is excellent here as Dracula and his antics would send a shiver down your spine. Nicholas Hoult as Renfield is quite brilliant too and all of them try to glue the crumbling proceedings together. But no artist can rise above the script, a saying that yet again comes true.

Conclusion

Renfield has a good premise and does boast of some good performances, but its half-baked screenplay is such a letdown!

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