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Hurry Om Hurry

Farhad Dalal
By-
Farhad Dalal
Rating
2 Star popcorn reviewss

Introduction

Before the big weekend is here that brings with it a major clash to close the year in the form of Dunki and Salaar, I decided to squeeze in another theatrical release from the previous week. With that, I finished watching the new Gujarati film Hurry Om Hurry which is now available in a theatre near you(hopefully before Dunki and Salaar take over). This year in particular, has been a good year for Gujarati films especially with the new wave of cinema being a welcome change from the regular family entertainers. Films like Vash have not only managed to grab eyeballs but also sold their remake rights which in itself is an achievement. Speaking of remakes, when I did read the premise of Hurry Om Hurry, it did seem eerily similar to the Tamil film Oh My Kadavule which was released in 2020. That film was a fun entertainer and Hurry Om Hurry did give me a similar vibe. So then does Hurry Om Hurry manage to impress, let’s find out.

Story & Screenplay

An ‘unofficial’ adaptation of the original Tamil film Oh My Kadavule, Hurry Om Hurry follows the story of a man who gets a second chance to sort his love life having previously been on the verge of a divorce. Will he sort out things or will he opt for a new flame? The story here had all the ingredients of a fun entertainer but the writing here is extremely cliched(although progressive in bouts) and it eventually leads to the downfall of the film, overall speaking. The screenplay standing at a whopping length of nearly 150 minutes was 20 minutes too long while also being extremely preachy towards the end. 

The drama opens with the introduction of two of the three protagonists who are childhood friends and have been through thick and thin in life, while being besides each other. Soon, a marriage proposal out of the blue ends them together but one year down the line, they are on the verge of a divorce. This until ‘God’ steps in to give the protagonist some control to opt for the love of his life. The tone of the drama is light and frothy although the comedy in itself seems a little forced. The first half of the drama does have decently engaging moments to keep you invested, as the writers begin to highlight the journey of the protagonist and the turn of events that lead to him being on the brink of divorce. I did like the characterization of the protagonist which was designed to be inclined towards one of the two characters in his life. The gradually shifting dynamics between him and his wife, and the closeness to his friend that he thinks is his life partner, did setup things well for the second hour. 

I was quite looking forward to the second half that did promise to be a mad comic caper, with a little theme of Bruce Almighty thrown in. But what I was served was such a preachy affair on how to preserve love and marriage. The writers ought to have introduced a lot more of the fun quotient by generating moments of comedy and confusion in the mix. This, while the guessing game on who would be the ideal life partner for the protagonist should also have been incorporated until the end. But, almost halfway through the second hour you get to know the inclination of the protagonist and that leads to an array of scenes laced with predictability. I just did not get the high of a love story that I wished to see. The writing kept getting cliched with every scene as I sat there patiently awaiting a twist in the tale, something that did not arrive. While some of the loose ends were tied up at the end, I just couldn’t overlook the fact that the drama got so heavy after a point that it made me glance at my watch after every five minutes. Overall, the writing misses the mark here and lacks the fun quotient of the original.

Dialogues, Music & Direction

The dialogues are adequate but they lacked the fun quotient with one witty one-liners thrown in. The music and BGM are good and go well with the mood of the drama. I liked the use of percussions that did generate a vibrant mood for the drama to follow. The cinematography is decent, the editing needed to iron out a lot of the lags in the screenplay. Director Nisarg Vaidya misses the mark here by diluting the fun elements of the drama in exchange for some excess ‘gyaan’. I wish the focus was on the comedy which would have allowed the drama to attain new heights in a familiar territory for the Gujarati Film Industry. Alas! A missed opportunity it was!

Performances

The performances are pretty impressive here. Siddharth Randela as ‘Mystery Man’ brings all his theatre experience into play while balancing the lighter tones of his character with some serious notes quite well. This was a refreshing change from his Gujjubhai avatar. Malhaar Rathod as Myra has a wonderful screen presence and she does a swell job here. The ease with which she portrays her character is wonderful to watch. Vyomi Nandi as Vini looks pretty and does a good job as well, although her character felt a little one-dimensional from a writing stand point. Raunaq Kamdar as Om is excellent here and he quite lights up the screen every time he appears. He tries to find sharp moments by extracting comedy but the writing overall doesn’t quite favour the actors here.

Conclusion

Hurry Om Hurry is a preachy and predictable drama that lacks the fun quotient despite some good performances. Available in a theatre near you.

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