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Ghoomer

Farhad Dalal
By-
Farhad Dalal
Rating
4 Star popcorn reviewss

Introduction

Onto the next release of this rather quiet weekend and I finished watching the sole Hindi theatrical release of the weekend, Ghoomer starring Saiyami Kher and Abhishek Bachchan. And there is a lot that I wish to say about the film and also the pre-release buzz. The month of August has been such a fruitful month for the Hindi Film Industry(it started at the end of July with Rocky Aur Rani Kii Prem Kahaani) with both releases from the last weekend OMG 2 and in particular Gadar 2 putting up record breaking collections. But what was a boon for the industry last week was slightly detrimental for the industry this week.

Unfortunately so, Ghoomer had zero buzz leading up to its theatrical release with little to no promotions. At this point, I am unsure on whether this was a conscious creative decision, relying only on the word of mouth to grow but it is what it is. Its trailer did seem like a cliched underdog story which was a bit of a shocker for me coming from R Balki(fresh off a minor blip with Lust Stories 2) who is known to explore and tap into some fresh concepts. But one thing interesting for me was to watch Saiyami Kher in a cricket film. This was my secret manifestation given that Saiyami has played the sport earlier and even in her previous media intetactions I have watched her play magnificently. Admittedly so, she could have easily made cricket her profession.

Keeping that in mind, I was curious on what Saiyami had to offer while having serious reservations on the film Ghoomer. On a sidenote, the number of screens were quite minimal(despite the 1 + 1 offer on Bookmyshow) that made for quite a task in zeroing on a screen(I wish the film was given more screens, a fresh topic of more number of screens needs to be addressed into). So then does Ghoomer manage to impress, lets find out.

Story & Screenplay

Ghoomer follows the story of a young female cricketer who unfortunately loses her arm following a tragic accident, days before her debut for the national team. How she fights her way back with the help of her unassuming coach is what forms the rest of the story. What seemed like a cliched little tale featuring an underdog, turned out to be one of the most inspiring sports dramas that I have watched this year. It was almost like a ‘Googly’ that I did not manage to pick in the days leading up to its release. The screenplay running at a taut runtime of just over 2 hours is compelling and inspiring while filling you up with a lot of emotions. This, while the events in the film evoke a sense of interest despite following a regular sports genre template.

The drama begins with the introduction of the protagonist who is shown to be a top batter while being hopeful of donning the Indian Jersey. The writers acquaint you with the positivity around the protagonist in the form of multiple characters, most of them being her friends and family who are proud of her achievements. Soon her dream does turn into a reality after her name is announced in the Indian team off to England. But her journey is cut short featuring a life altering incident. The beauty about the writing is that it never really gets bogged down. There are multiple moments created that will have your full attention while forming a warm bond with the protagonist. And this can be attributed to her charming personality.

The proceedings are engaging and quite engrossing that often rise above the cliched underdog template. There are moments of despair which are shown wonderfully well with an underlying layer of depression which is prevalent in the protagonist post her accident. The pain of her character so beautifully translates onscreen wherein even the slightest ray of hope turns into a glimmer for the viewers too. And the effort of rising up against the odds is equated to some wonderful analogies that make the routine events in the film just so interesting. I also had a sharp eye on the technicalities of the sport, given that I have been following cricket for a very long time now. And those details in its limited capacity were well researched and contributed so well to the drama. The level of detailing in the drama was top notch as well(AB, a left armer teaching Saiyami to bowl left arm after she loses her right hand). Even as a sidenote, the topic representing the LGBTQIA community was handled with care while beautifully normalizing it.

In an R Balki film, the drama reaches its peak about three quarters in the film while sliding off in the final act. And that is what I was worried about here as well, especially given its subject and the practicality of the discussion around it being far-fetched(the concerned cricketing body is not that progressive unfortunately). But the drama doesn’t try to do anything unorthodox while completely sticking to the core emotions of it. That translates into a gripping finale featuring a cricket match that does serve its purpose while providing bouts of goosebumps at a few junctures. Also, the reason why the viewers would be invested in the finale is because there is a solid foundation built in the form of the preparation that makes for a wonderful watch. Overall, the screenplay here is well written and steers clear of the regular tropes of a sports drama while not trying to be drastically different.

Dialogues, Music & Direction

The dialogues are wonderfully well written with some wonderful wordplays utilized really well. One little gripe though, I wished the writers used a gender neutral term ‘batter’ as opposed to a ‘batswoman’ which doesn’t distinguish the player from the sport. The music blends really well with the drama with each soundtrack representing the different moods of the protagonist ranging from the ultimate low to the soaring high. The BGM has the ability to give you goosebumps while having an inspiring vibe to it through and through. The cinematography is wonderful capturing the struggles of the protagonist wonderfully well. Even the portions involving the sport do heighten the tension. The editing is smart particularly in portions involving cricket. While there are a few one-takes, the editing never really gives you an impression of jump cuts being utilized. And that worked wonders for the drama. Director R Balki has quietly scored another rousing hundred yet again. I will stick my neck out and say that this is perhaps the best Balki film since Cheeni Kum. And that can be attributed to some wonderful events that are generated, some heartwarming but most inspirational. The topic was quite generic as per Balki’s standards but within that space he elevates the drama to fresher heights. The direction was outstanding.

Performances

The performances are simply excellent here. Firstly, it was a pleasure watching Mr. Bachchan do commentary in a cricket match. There was an inherent sense of humour in his performance that accounted for a wonderful camaraderie with his co-commentator Neroli Meadows. Shabana Azmi as Anina’s Dadi is an absolute joy to watch. With her sharp sense of humour and a playful tone, it made for a wonderful act that did put a smile on my face.

Ivanka Das as Rasika is endearing and sincere who lights up the screen with a sense of positivity every time she appears. Even in her dramatic moments, she manages to put a smile on your face. Angad Bedi as Jeet is wonderfully restrained and delivers a dignified performance. And when he cries, he really does break your heart that signifies the softness in his character while also displaying a sense of maturity of understanding the other perspective of a person. Girls, if you have a guy like Jeet in your life, do not let him go!

Abhishek Bachchan as Paddy is a phenomenal actor and if you still have a doubt, just observe and study his monologue here. That was absolutelt heartfelt and terrific and something that represents his character wonderfully well. He may not be as affable to begin with, especially with his tough exterior and his blunt opinions, but as the drama progresses, you understand him better. And all along, his performance remains consistent which means nothing has changed other thsn your perception about him. It is yet another towering act by a brilliant performer who has come a long way since his ‘Refugee’ days!

Saiyami Kher as Anina(notice the name being a Palindrome, I wish it wasn’t explained though) is quite honestly the star of the show. It did help that she had played the sport and you can clearly make out with her batting stance or in her bowling. But beyond that, the character required a whole new level of dedication by literally demanding her blood and sweat to it. And all efforts are reflected in this brilliantly heartfelt performance wherein she hits it out of the park. My secret manifestation of her featuring in a cricket film could not have been this sweeter. She was magnificent here and she deserves all the accolades coming her way!

Conclusion

Ghoomer is an inspiring underdog drama that totally hits it out of the park with its heartfelt writing and stunning performances. In the Gadar 2 and OMG 2 wave, do not miss this little gem. The Hindi Film Industry as I knew it, is finally back and I can’t be happier! Available in a theatre near you and Highly Recommended.

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