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Fallen Leaves

Farhad Dalal
By-
Farhad Dalal
Rating
4 Star popcorn reviewss

Introduction

It is a Monday and a start of a bright new week, and after a rather quiet little weekend in terms of its new releases, and before Fighter arrives on Thursday, I have another opportunity to wipe a few films off my watchlist. And I have particularly been interested in The Foreign Film Category at the Academy Awards this year with my prime focus being on the Top 15 shortlisted films. And for my 11th film from the list, I decided to watch and review the Finnish film Fallen Leaves which is now streaming on Mubi. Right from last year when the film had been doing the festival rounds, it has been subjected to a glorious word of mouth. Even while I missed watching the film at MAMI, there were a host of praises that the film received closer to home. With a keen eye, I was awaiting its digital release without having the slightest inkling on what the film stood for. So then does Fallen Leaves manage to impress, let’s find out.

Story & Screenplay

Fallen Leaves follows a quirky story of two individuals from the worker class who happen to bump into each other amidst the external factors preventing love to blossom between them. Will love find a way? The story here is a deliberate dry account of humour and romance which is far from the ones that you may have witnessed in cinema. There are bittersweet undertones to the proceedings packaged in a brand of humour which may not necessarily make you laugh out loud but almost relish it with a stoic face. And therein lies the beauty that treats its relationships with a pinch of salt. The screenplay standing at just 80 minutes guarantees a quick watch which is not necessarily indulging in its relationships or plot points but just painting a picture which is grim but sprinkled with a little sugar and quirkiness. 

The drama begins with the introduction of one of the two protagonist who works at a general store on a zero contract basis. She prefers taking expired food home much to the dismay of a grumpy security guard who complains to the higher authorities. Elsewhere, you are introduced to the other protagonist working in a sandblaster and an alcoholic. The two often bump into each other with occasional pleasantries exchanged until both are hit by a cupid. The twist in the tale lies in the external factors that prevent them from uniting. The writers do a wonderful job in constructing a drama which is true to its title. Much like ‘Fallen Leaves’, the drama here us intentionally dry highlighting the hardships of the worker class quite efficiently. The dual nature of the writing can be identified through two instances – one being the characters who are lonely and often depressed with life, and the other linking their depression with some further grim news of Russia invading Ukraine. The geo-political flavour in the drama is much to do with the depression of the characters as well given that Finland shares a border with Russia thereby fearing the worst for themselves. 

The humour in the drama is unique given that it isn’t exactly in your face but more situational. The drama briefly unfolds like the Before Sunset series before coming to a gruelling stop owing to a situation that arises after a character loses a chit of paper. The drama is stacked with such incidents that almost make you double guess on whether the duo would actually unite with each other and that is accentuated in a funny yet tragic final act that accomodates another one of those situations. Having said that, I was a little on the fence with the simplistic ending but the other part of me was gleefully accomodating given that everyone deserves second chances and their stake at a happy ending. Overall, the screenplay is niche which might be met with extreme reactions based on their acquired taste of cinema. I for one absolutely loved the dry approach of the drama.

Dialogues, Music & Direction

The dialogues are conversational but sparingly used throughout the narrative while firmly relying on the situations and atmospherics to fuel the narrative. The music is painfully melancholic and plays a vital role in uniting the two potential love birds while also cautioning the viewers of the worst with respect to factors beyond their control. The BGM is subtle and gently enhances the emotions in this nuanced drama. The cinematography coupled with the colour grading paints a grim picture that blends well with the bittersweet tone of the drama. This is barring the final shot that is slightly more bright with hopeful undertones. The editing is crisp while allowing the drama to flow without any diversions. Director Aki Kaurismaki does a fine job in constructing a sobre and dry drama while handling the finesse beautifully with respect to the characters. And his perfection lay in inculcating humour which could so easily have felt out of place. The direction is top notch here.

Performances

The performances are impeccable by the cast here comprising of essentially two characters who are loners in the film. Jussi Vatanen as Holappa is exceptional with his unintentional goofiness while being quietly charming at the same time. There is an inherent sadness in him probably from the fact that he hasn’t achieved certain things in life that he ought to have, probably due to his fate. And that complexity of his character is expertly brought out by him. Alma Poysti as Ansa is phenomenal to the core. Her name translates to ‘trap’ which was a quirky angle with respect to Holappa but on her personal front, she has beautiful eyes that speak a thousand words – at times of anticipation and at times of surrender and loneliness. The complexities in her character do stem out of her depression that she beautifully portrays through her character. Both of them strike an unsual relationship that forms the crux of the story.

Conclusion

Finland’s Official Entry to the Academy Awards this year, Fallen Leaves is niche but a tenderly dry romantic drama with bittersweet undertones and stunning performances that makes for a wonderful watch. Available on Mubi and Highly Recommended!

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