Popcorn Reviewss

White thumbnail popcorn reviewss
popcorn reviewss banner
White thumbnail popcorn reviewss

Bawaal

Farhad Dalal
By-
Farhad Dalal
Rating
3.5 Star popcorn reviewss

Introduction

Thank God It Is Friday and probably the biggest weekend of the year yet! With Oppenheimer and Barbie pitted against each other, the new Hindi film finds its way directly on OTT! With that, I finished watching the new Hindi film Bawaal which is now streaming on Amazon Prime. Ever since there was an announcement of Bawaal premiering directly on OTT, there was a bit of a ripple created! No one was quite expecting the film to have a direct OTT release given the names involved. The film does star Varun Dhawan, Janhvi Kapoor and directed by one of the most sort after directors Nitesh Tiwari and hence the decision seemed baffling.

The poster of the film did seem to be interested, almost giving a vibe of a love story set against the back drop of World War 2. This was further insinuated from its teaser wherein the last 30 seconds did give out a spine chilling account of the holocaust. Yet, I was more curious on how this Indian connection would be integrated in the plot. Its trailer did paint a slightly more clearer picture but at the same time, I wasn’t quite gung ho about the film anymore. Having said that, I did have faith in Nitesh Tiwari and Ashwiny Iyer Tiwari who are known to make some contrived plots work. Finally Bawaal premiered last night and I got a chance to witness the film. Does it manage to impress, lets find out.

Story & Screenplay

Bawaal follows the story of a narcissistic man who along with his ill treated wife makes a trip to Europe specifically on a World War 2 trail. Will love being them together again? The story here is contrived and absurd and you will have to put down all your guards to truly understand and like it in the first place. Let me put it this way, it is different but not without its flaws in a drama that will most likely divide the opinions. The screenplay standing at roughly 130 odd minutes does paint the drama with broader strokes with respect to a budding relationship. Yet, somewhere the film did touch me as well especially on the World War trail that equated the lives of the victims with the philosophy of love and loneliness in the lives of the protagonists.

The drama does open with the introduction of the protagonist, a self loving, narcissistic man who builds a world of lies around him to always safeguard his image. As the drama unfolds, you get to know that he is a History teacher and a married man, while not carrying out his duties in either of the two departments. His wife is ill treated after having suffered from fits that is primarily the cause of the distance between the couple. The plot here is extremely contrived from the premise itself, primarily because I didn’t quite find it convicing for the couple to be apart just for a frivolous reason. Yes, it is established that the protagonist does care about his image more than his wife but that itself painted the protagonist with a single coat of paint as opposed to getting into his psyche. But if you are willing to forego this fact, there are rewards to be had in the middle.

The plot kickstarts when the couple take a trip to Europe on a World War 2 trail that does result in a case of self realisation on the part of the protagonist. This was a very unique way of representing a relationship along with plenty of life lessons thrown in. The audience might be split on this aspect given how the trauma of World War 2 cannot be a self guide for improving and preserving the life of a couple, if you are willing to dig deeper into its philosophy then you shall be able to connect to the emotions and characters better. In a scene, the character of the wife calls her in-laws who see that they are still sleeping on different beds, the response to that being that the beds will come closer as the trip progresses. This while the elderly couple are sitting and conversing on the same bed, that signifies love. These kind of moments do make the watch worthwhile.

Another interesting aspect of the film is the World War 2 trail, that begins from the least disturbing part from the Eiffel Tower(a symbol of love) to the Holocaust Gas Chamber(a symbol of utter hatred). This journey is in contrast to that of the protagonists that have had a rocky beginning with almost hatred creeping in, to that of love by the end of it. It was quite a crazy comparison that works if you watch the film wholistically. In between, the lessons that history has to provide from over so many years is well integrated in the drama. At every step, there is a lesson to be learnt. For instance, the scene at the Omaha Beach in France had a moving theme to it. The protagonist fooling around only to be given the headphones is transported in an era of self realisation through the commentary of World War 2.

Yet, the final criticism for the film comes in the form of its final act which again did seem to be less convincing and far too simplistic. The events were rushed as opposed to focusing a little more on the emotions between the couple which would want to make you root for them. The broader strokes find their way in the narrative once again while also getting a little more preachy for my liking. I wanted to like this part as well but it did fall short probably in its execution. Overall, the screenplay is absurdist and needs to be looked from a different lens to truly appreciate it. That said, it is still not free of flaws but nevertheless a good attempt of saying something different with a familiar and a relevant message at the end.

Dialogues, Music & Direction

The dialogues range from being frivolous to adding depth through the history lessons and philosophies, something that denotes the journey of the characters. Likewise, the music too has a similar journey from slightly louder connotations which are filled with bravado representative of louder instruments to softer nuanced emotions being brough out through the calmer notes of the music. The BGM does heighten the drama pretty well adding depth to the proceedings, particularly in the middle act.

The cinematography is wonderful capturing the scenes of World War 2 aesthetically. The black and white contrast also is symbolic of the contrasting journeys between the couple as compared to the dark era. The couple still have something to look forward to and be happy as opposed to the grim reality of World War 2. The editing is sharp too. Even the costumes are thoughtfully laid out. The dullness within the character of Varun is depicted through plain clothes(that a Gujju guy dissents after their suitcases get exchanged). Yet, he is forced to wear colourful clothing that signifies forced happiness that he is going through. Director Nitesh Tiwari does a good job although I can tell from a distance that this isn’t one of his best works. Yet, trust his skill in pulling off a contrived plot with utmost conviction! Yes, he does falter minutely in the first act and in the finale but the middle portion takes the cake!

Performances

The performances are pretty good as well. Hemang Vyas as Kalpesh has his comic timing on point. Mukesh Tiwari as the MLA is a little wasted as per my expectations. Manoj Pahwa and Anjuman Saxena as Ajju’s parents lend good support. Janhvi Kapoor as Nisha delivers a heartfelt performance almost showcasing the maturity of her character really well. Varun Dhawan as Ajju also is phenomenal to watch and it is after October that I did see Varun’s expressive eyes doing the talking. From starting off as someone who is unlikable to finally being sensitive in his character was a good transformation. If anything, I would have liked a little more chemistry between the two leads.

Conclusion

Bawaal is a niche, contrived and an absurdist love story with broad strokes of history which will divide perceptions and opinions amongst people. Yet, if you are willing to be submissive in the plot, then there are rewards to be had. Available on Amazon Prime.

Latest Posts

error: Content is protected !!